Nevermind: 20 years of tributes

As I mentioned a while back, it's been 20 years since the release of an album that left us all wondering "could we be busted for child pornography for having this on our shelves?"

Yes, Nirvana's Nevermind. The kickstarter of the entire alternative music genre (if you ask some people). Whatever you think it's legacy is for music, there's no denying it's a great fucking album. But with a great album, comes even greater covers. And as part of the anniversary celebrations, I have been inundated with tribute albums, recreating the classic track by track. Here's a summary of what I've come across so far.

Kevin Devine
The lovely red-head is better known for his softer side of folk-rock. However, as was the time I saw him open for Brand New, he has a full band he sometimes put together for the whole rock show. On his Nevermind tribute, he's gone the electric path.

So, how does he do? Well, for starters, the music itself sounds almost note for note from the original Nirvana cut. There's a few differences in tone, but it's very minimal. In no way has he put his own spin on this. It's Nirvana, but with a slightly higher pitched voice of Kevine Devine. His voice is not so suited to the Nirvana sound, as it lacks that rough edge that was Kurt Cobain. I like Kevine Devine normally, but his Nevermind tribute is just copy, paste and nothing new added.

SPIN
Spin is offering this CD up for free at their website. Taking together a handful of old and new artists across varying genres, it offers a glimpse of the wide-range appeal of Nirvana. At times the tracks go lounge, cabaret, art-rock, twee, electronic and my personal favourite, the last "bonus" track goes all-out fuzzy noise-rock.

There are some great interpretations of Nirvana on this album. However, there are some horrible ones as well. The worst of all of the covers in my mini-review is from an Australian band too. It hurts me. Midnight Juggernauts Come As You Are has me hitting fast-forward every time. The album is a bit more indie than most Nirvana fans are used to, but it is a good bridging gap for old-school fans to check out the lighter and sometimes completely different side of things.

Kerrang!
It's probably not a surprise that the tribute album by British magazine Kerrang! is my favourite. It features two of my favourite artists (Dillinger Escape Plan and Frank Turner) and to me, their bias towards heavier music is more in tune to the Nirvana and Nevermind legacy: the way it helped heavier, alienating music cross to the mainstream.

This album still covers a bit in the heavier genre though, from acoustic punk to metal to hardcore to whatever the heck you want to call Dillinger Escape Plan. For me, this is the pick of the Nevermind tribute albums.

There's more to come though and as I dig my way through my giant inbox of CDs I'll add more to this.