Airwaves: a late pass

I don't normally blog about albums individually, but I got my hands on one this week that has just blown my mind. The only problem is, it came out years ago. It's an odd collaboration between 2 Brisbane music collectives: Topology and Loops.

Together, with the archives of 100 years of radio transimissions, they've put together a 99 track album called Airwaves. This album features samples (in reverse chronological order) of some of the most important radio broadcasts in our history, put together with a jazz, and at times noodly post-rock, backing track. I sat at work today, enthralled by how it all worked together, at times the samples and the music were at complete opposites, but at times they worked magnificently together, especially the track Gough Whitlam: Well May We Say.

What makes this late pass even worse is that they performed it live less than a week ago at the Powerhouse. GAH! A chance to up my culture, history and general awesomeness and I just missed out.

There's something to be said for music that makes you sit back and really pay attention. Although I'm young, I still found myself listening to this and remembering where I was during some of these historical speeches (even though with me it was only the first few tracks that were relevant).

If you're willing to take a risk with something new and interesting in music, do yourself a favour, get this. And if you like what you hear, and have some management skills, Topology are looking for a new manager. This job popped up in my daily updates today, completely unrelated to the fact that I was listening to the band.

Harvest Festival

I don't normally post rumours on my blog, but this one has caught my interest so much that I had to share with you.

AJ and the team at Soundwave touring, best known for their punk/metal tours and festivals (I've been to every festival they've put on), are taking a slightly different path in November this year with the Harvest Festival. Unfortunately, it's not a festival featuring Neil Young playing his iconic album (how sweet would that be though?), but rather an arts and indie-slanted music festival.

So what do I mean? Well let's start with the music. Bands rumoured to be on this tour are the Flaming Lips, the National, Aphex Twin, Portishead, Bright Eyes and Mogwai. The indie hipster in me is already frothing at the mouth with just that line up.

Secondly, the Brisbane date is November 19 and the venue size will be 15-20 thousand. I'm thinking Riverstage, which would be an awesome venue for this type of festival, as long as it doesn't turn into the wanky-fake-hipster-dance-music crowd that is Sunset Sounds et al.

But the most interesting thing is something I saw tweeted early this morning. It's a call for submissions from the art sector. That's right, the festival is taking submissions from artists for installations and shows for their music festival, to go hand in hand with the music. This includes:

• Massive installations for the main arena
• Installations for a garden and campire stage, for more laid back music and discussions
• A 1920's style alt-performance tent, incorporating a bar (I've already got some messed up visions of what this could be floating around my head)
• Art for in between the stages and just around the facility in general

It's an interesting idea coming from the Soundwave team. It's good to see them branch off with something new and challenge themselves.

If you're an artist, you have until July 14 to submit your proposal to the team. And if they like it, they'll fund your art at a major music festival! Not too bad. All of the details can be found here at their call for submissions.

Of course, given the internet and the rumour mill, all of this could be a fake. But I hope not, I'm sick of music festivals in their current format and I hope this turns it into something bigger and better.